Classic Carmen Salvat strategy, that.

22:47. I PLAY chess on my iPhone, and indulge in a fond fantasy that my opponent isn’t a mind of digital code but Dad: It’s Dad’s attacks I repel; Dad’s defenses I dismantle; Dad’s king scurrying around the board to prolong the inevitable. Stress will out, however; usually I win at this level, but today I keep making repeated slips. Worse, the old git starts taking the piss: “Superb strategy, Crisp; that’s it, you move your rook there; so I’ll move my knight here; pincer your dozy rook against your blundering queen and now there’s Sweet Fanny Adams you can do about it!” When I use the undo function to take back my rook, Dad crows: “That’s right—ask a sodding machine to bail you out. Why not download an app to write your next novel?” “Sod off,” I tell him, and turn off my phone. I switch on the TV and sift through the channels until I recognize a scene from Mike Leigh’s film One Year. It’s appallingly good. My own dialogue is shite compared to this. Sleep would be a good idea, but I’m at the mercy of jet lag and I find I’m wired. My stomach isn’t too sure about the deep-fried chunks of durian fruit, either; Nick Greek admitted to the British consul that he hadn’t yet acquired the taste, so I ate three. I’d love a smoke but Carmen’s bullied me into quitting so, yummy yummy, it’s a zap of Nicorette. Richard Cheeseman’s smoking again. How can he not, stuck where he is, poor bastard? His teeth are brown as tea. I flick through more channels and find a subtitled American import, The Dog Whisperer, about an animal trainer who sorts out psychotic Californians’ psychotic pets. 23:10. I consider jerking off again, purely for medicinal purposes, and browse my mental Blu-ray collection, settling on the girl from that commune Rivendell somewhere in West London—but decide that I can’t be bothered. So I open my new Moleskine, turn to the first page, and write “The Rottnest Novel” at the top …

… and find I’ve forgotten my main character’s name again. Bugger it. For a while he was Duncan Frye, but Carmen said that sounded like a Scottish chip-shop owner. So I went with “Duncan McTeague” but the “Mc” is too obvious for a Scot. I’ll settle with Duncan Drummond, for now. DD. Duncan Drummond, then, an 1840s stonemason who ends up in the Swan River Settlement, designs a lighthouse on Rottnest Island. Hyena Hal isn’t sure about this book—“Certainly a fresh departure, Crisp”—but I woke up one morning and realized that all my novels deal with contemporary Londoners whose upper-middle-class lives have their organs ripped out by catastrophe or scandal. Diminishing returns were kicking in even before Richard Cheeseman’s review, I fear. Already, however, a few problemettes with the Rottnest novel are mooning their brown starfishes my way: Viz., I’ve only got three thousand words; those three thousand are not the best of my career; my final new deadline is December 31 of this year; Editor Oliver has been sacked for “underperformance” and his aptly named successor Curt is making some unpleasant noises about paying back advances.

Would a quokka or two spice it up? I wonder.

Sod this. There must be a bar open somewhere.

HALLELUJAH! I WALK into the Sky High bar on the forty-third floor and it’s still open. I sink my weary carcass into an armchair by the window and order a twenty-five-dollar shot of cognac. The view is to die for. Shanghai by night is a mind of a million lights: of orange dot-to-dots along expressways, of pixel-white headlights and red taillights; green lights on the cranes; blinking blues on airplanes; office blocks across the road, and smearages of specks, miles away, every microspeck a life, a family, a loner, a soap opera; floodlights up the skyscrapers over in Pudong; closer up, animated ad-screens for Omega, Burberry, Iron Man 5, gigawatt-brite, flyposted onto night’s undarkness. Every conceivable light, in fact, except the moon and stars. “There’s no distances in prisons,” Richard Cheeseman wrote, in a letter to our Friends Committee. “No outside windows, so the furthest I ever see is the tops of the walls around the yard. I’d give a lot just for a view of a few miles. It wouldn’t have to be pretty—urban grot would be fine—so long as there was several miles’ worth.”

And Crispin Hershey had put him there.

Crispin Hershey keeps him there.

“Hello, Mr. Hershey,” says a woman. “Fancy finding you here.”

I jump up with unexpected vigor. “Holly! Hi! I was just …” I’m not sure how to finish my sentence so we kiss, cheek to cheek, like fairly good friends. She looks tired, which is only to be expected for a time-zone hopper, but her velvet suit looks great on her—Carmen’s taken her shopping a few times. I indicate an imaginary companion in the third chair: “Do you and Captain Jetlag know each other?”

She glances at the chair. “We go back a few years, yes.”

“When did you get in from—was it Singapore?”

“Um … Got to think. No, Jakarta. It’s Monday, right?”

“Welcome to the Literary Life. How’s Aoife?”

“Officially in love.” Holly’s smile has several levels to it. “With a young man called Цrvar.”

“Цrvar? From which galaxy do Цrvars hail?”

“Iceland. Aoife went there a week ago, to meet the folks.”

“Lucky Aoife. Lucky Цrvar. Do you approve of the young man?”

“As it happens, yes. Aoife’s brought him down to Rye a few times. He’s doing genetics at Oxford, despite his dyslexia, don’t ask me how that works. He fixes things. Shelves, shower doors, a stuck blind.” Holly asks the waitress who brings my cognac for a glass of the house white. “What about Juno?”

“Juno? Never fixed a sodding thing in her life.”

“No, you dope! Is Juno dating yet?”

“Oh. That. No, give her a chance, she’s only fifteen. Mmm. Did you discuss boys with your father at that age?”

Holly’s phone bleeps. She glances at it. “It’s a message for you, from Carmen: ‘Tell Crispin I told him not to eat the durian fruit.’ Does that make any sense?”

“It does, alas.”

“Will you be moving into that new place in Madrid?”

“No. It’s a bit of a long story.”

“ROTTNEST?” HOLLY FLICKS her wineglass with her fingernail, as if testing its note. “Well, as Carmen may have mentioned, at various points in my life, I’ve heard voices that other people didn’t hear. Or I’ve been sure about things that I had no way of knowing. Or, occasionally, been the mouthpiece for … presences that weren’t me. Sorry that last one sounds seancey, I can’t help it. And unlike a seance, I don’t summon anything up. Voices just … nab me. I wish they didn’t. I wish very badly that they didn’t. But they do.”

I know all this. “You’ve got a degree in psychology, right?”

Holly sees the subtext, takes off her glasses, and pinches the indented mark on her nose. “Okay, Hershey, you win. Summer of 1985. I was sixteen. Jacko had been missing for twelve months. Me and Sharon were staying at Bantry in County Cork, with relatives. One wet day we were playing snakes and ladders with the smallies, when”—three decades later, Holly flinches—“I knew, or heard, or ‘felt a certainty,’ whatever you want to call it, what number the dice was next going to land on. My cousin’d rattle the eggcup and I’d think, Five. Lo and behold, the die landed on five. One. Five. Three. On and on. A lucky streak, right? Happens all the time. But on it went. For over fifty throws, f’Chrissakes. I wanted it to stop. Each time I thought, This time it’ll be wrong and I’ll be able to dismiss it all as a coincidence … but on and on it went, till Sharon needed a six to win, which I knew she’d roll. And she did. By now, I had a cracking headache, so I crawled off to bed. When I woke up, Sharon and our cousins were playing Cluedo, and everything was back to normal. And straightaway I started persuading myself that I’d only i magined knowing the numbers. By the time I got back to boring old Gravesend, I’d half persuaded myself the whole thing’d just been just a … a one-off weirdness I was probably misremembering.”