“Not only is Marlon Brando dead,” Richard muttered into the screen, “but we’re going to land one of these mofos tonight. Get me the Hawkman’s purse.”

“Sorry?”

“It’s got pearl bead things, it’s right under her ass.”

“Are you sure?”

“She’d want us to, Chase. Believe me, she can afford it. Go!”

Under Richard’s guidance I dug out Georgina’s neat, pale-calfskin wallet and, skirting the temptation to learn what wonders I’d find browsing there, handed him her American Express card. The Hawkman never stirred. Richard, typing madly, flinging oaths at the recalcitrant dial-up connection, brought up a fresh window, and fit Georgina’s name and digits into online forms. View of the chaldron was blocked, yet I was sure I could still sense its vitality leaching around the screen’s boundary. I snuffled at the soggy last inch of joint, waiting. Perkus still hung in the kitchen. Then Richard switched back, and it awed us again. Perkus, perhaps alert to the intake of my breath, snooped around the doorway’s edge, sullen but tempted. I watched as Richard, under a new name, UpYours1, committed twenty-five thousand of the Hawkman’s dollars to purchase of a vase, that ceramic that was more than a ceramic and yet also so much less: a rumor, a chimera, a throb, a map. We had ten minutes to learn whether it was ours. I had a feeling if it was that it would be living, necessarily, in Georgina’s penthouse apartment.

“Now, look.” Richard conjured up another screen. “We’re online, we don’t have to wonder about these things.” He narrated aloud from Marlon Brando’s Wikipedia entry, “Final years and death… notoriety, troubled family life, obesity attracted more attention than his late acting career… earned reputation for being difficult on the set… Okay, skip all that, here, On July 1, 2004, Brando died in the hospital… age of eighty… the cause of his death intentionally withheld… lawyer citing privacy concerns… cremated, ashes scattered partly in Tahiti and partly in Death Valley-” I leaned in over Richard’s shoulder, wanting anything now but to confirm it and strand Perkus in a Brando-less landscape, yet inescapably curious. At that moment Richard hurried back to the auction, to see how Georgina’s thousands were holding up-or rather he tried to, and the computer screen went dark. “Fuck!” he yelped.

We turned to find Perkus leaning out his kitchen’s back window, a chill wind whistling in around him. “What’s wrong?” he asked when he pulled his head in and slammed it shut.

“Your computer crashed or something,” I said. “What are you doing?”

“I thought I heard Biller. You had more than two windows open, didn’t you? Well, that’s what crashes it.”

“Did… you hear… what Richard was-”

“What?”

“Never mind.” We stood back while Perkus hurriedly restarted the computer and chased a new connection. Richard, beside himself at the delay, crashed around in the kitchen, igniting another joint’s tip on the burner of Perkus’s stove. Sandy Bull’s banjo urged evolution forward. Richard returned in a new cloud of smoke, waving the smoldering Ice in my direction, and I partook, but maybe we were stoned enough already, or too stoned, yes, unmistakably we were horrendously stoned, our mission curdled, our new Coalition of the Chaldron singed at the edges. Was it worse to tell Perkus that Brando was dead or not? I couldn’t decide. Richard Abneg’s distress was tangible, too, his gloating dynamism sapped by so many sweaty compromises with eagles, tigers, mayors. A dozing Hawkman no longer prize enough, despite any resemblance. The green chaldron was not only more costly, it was ruining us, exposing our underbellies, whether we were privileged to pay its ransom or not. And now there was no Marlon Brando to redeem us, only chaldrons to salve loss of chaldrons. Perkus brought up the page. The auction bragged a bid of twenty-six thousand. Richard had been topped. Three minutes remained. I felt a green stab in my heart.

Unspeaking now, Richard scrambled to bid. He got it up to thirty-four thousand, a heroic labor of blunt hairy fingers, tooth-grinding jaw visible even through his beard. His white shirt was widely stained under the arms and stank fiercely. The effort took two minutes, more. At forty-eight seconds another veiled bidder drove it to thirty-six thousand, then another, with five seconds to spare, took the jewel at an even forty grand. I think we all three groaned as if gutshot, but it was well covered by Sandy Bull’s thrumming music. Georgina Hawkmanaji then punctuated our stunned silence with a long whining exhalation, gleaning disappointment in her sleep. I examined the page, the image there, for any trace of psychedelic vigor I could draw on for repair, but nothing reached me now. Perkus, likely familiar with the effect, spared us, reaching past Richard’s numbed hands to click on a box and close the window.

The convocation found its end there, human fragments amid the ashtrays and crumpled rolling papers, Mallomar crumbs, shed evening clothes. The three of us left Georgina in the dark with the screen-saver raccoons, and retreated to the place where we used to thrive, a month or so before, around Perkus’s kitchen table. Perkus changed the music, to a band called Souled American, and I didn’t know whether it was my imagination or the band’s special distinction that they sounded as unspooled as we felt, the bass player and guitarist and singer each absently mumbling their contribution seemingly with no regard for the others.

It was after Perkus fished out a dusty, half-filled bottle of single-malt Scotch, twelve-year-old Caol Ila, something Richard had left behind some ancient evening before I’d made their acquaintance, and we began sipping the amber poison from juice glasses, that Richard, uncorking some deeper material from himself as if in reply to the booze, began his disquisition on the tiger. At the start his tone was as diffuse as Souled American’s music, so that I almost might have imagined he was singing along. “It’s pretty goddamn funny that everyone calls it a tiger in the first place,” he said. “Even those of us who know better have fallen into the habit… a testament to what Arnheim likes to call the power of popular delusions and the madness of crowds…” Perhaps this was Richard’s way of consoling us with distraction, as Perkus had before. Yet his words took on the urgency of a confession. “That it’s a problem I’d never deny. I mean, it wasn’t my fault, but it’s become partly my responsibility to deal with it, that’s fine, it’s the kind of thing I’m supposed to be good at…” Neither of us had spoken, let alone challenged him, yet it was as if Richard were negotiating, to persuade not only Perkus and myself but whole invisible balconies of skeptics. “When the Transit Authority began researching ways to build the Second Avenue line, you see, they brought in the engineers who’d built the Channel tunnel, in England-I mean between England and France. They’d built these machines that went underground and burrowed through bedrock. They’d had good luck with them, but ours went a little out of control-”

“You’re saying the tiger is a machine?” said Perkus.

Richard nodded glumly, and sipped from his juice glass. “A machine, a robot, that’s right, for digging a subway tunnel. The thing is, in Europe they had two of them. One started in France, the other in England.” He raised and spread his hands to model this for us in the air in front of his face. “Two identical machines, they’d never met, but they went underground and began digging toward each other.” His hands progressed downward, toward a meeting point at his chest, clawing like moles at the imaginary earth. “Day and night, just digging that tunnel for months, these two woebegone creatures moving ever incrementally closer-”

“What happened when they met?” I asked. Déjà vu clung to Richard’s description; I felt as if I recognized it from some baleful fairy tale or allegorical medieval painting. Our evening had drifted into another register, a fatigued postlude, the air in Perkus’s apartment impossible to clear of stale smoke and unnameable regret. Each of us leaned back in his chair as if not conversing but enacting a kind of disconsolate séance, Richard’s voice punctuating our trance like a deathbed dictation.