By this point Washington had come down with a cold and an eye inflammation. Even before he left New York, he had received reports of an “epidemical cold” gripping the New England states.13 On the day he entered Boston, so many local citizens were wheezing with heavy coughs and chest colds that the illness was dubbed “the President’s Cough” or “Washington’s influenza.”14 Now it seemed that Washington himself had succumbed. Nonetheless he toured the Harvard College library and museum and went aboard the flagship of the French fleet, receiving maritime honors accorded only to kings. Bemused, he noted, “The officers took off their shoes and the crew all appeared with their legs bared.”15 Still the heartthrob of American females, Washington agreed to a request from the ladies at an elegant dinner to sit for a portrait that would grace Faneuil Hall. The smitten ladies, all aflutter, explained that “his benign countenance made such an impression on their hearts as they wish to recognize in his portrait in future.”16 From this portrait, copies were made that would hang in many Boston households.

On his trip Washington followed his ecumenical practice of praying in churches of various denominations, including Episcopal, Presbyterian, and Congregational. In Boston he attended a concert in King’s Chapel (Stone Chapel), where a young Danish artist named Christian Güllager, seated in a pew behind the pulpit, drew a rapid, unauthorized sketch of him. A week later, in Portsmouth, New Hampshire, Washington granted Güllager a two-and-a-half-hour sitting that produced a remarkably fresh and candid portrait of Washington that was perhaps influenced by the painter’s first glimpse of him in Boston. Leaning back in his chair, Washington seems to turn and suddenly catch the artist’s eye. His face is broad and open, his torso massive and powerful in a dark coat, and his aura commanding.

On October 28, as he toured the Boston Sailcloth Manufactory, Washington’s attention was distracted from the wonders of American manufactures by the wonders of American women. One observer spied Washington’s frisson of delight, saying that he “made himself merry on this occasion, telling the overseer he believed he collected the prettiest girls in Boston.”17 When feted that evening, Washington was again encircled by adoring women and recorded happily in his diary that “there were upwards of 100 ladies. Their appearance was elegant and many of them were very handsome.”18 So began a habit of counting the fashionable women as he basked in their attention. “He is much more open and free in his behavior . . . in the company of ladies . . . than when solely with men,” someone later noticed.19 Washington can be forgiven his wandering eye, for others noted the way pretty women gathered around him. One observer wrote that while Washington sat in state on a crimson velvet settee, “the ladies were very handsomely dressed and every one strove here, as everywhere else, who should pay the most respect.”20 It says much about Washington’s declining health that this once-celebrated dancer seemed not to take the floor at these functions. According to Elizabeth Schuyler Hamilton, after the war, Washington “would always choose a partner and walk through the figures correctly, but he never danced. His favorite was the minuet, a graceful dance, suited to his dignity and gravity.”21

After leaving Boston, Washington proceeded north along the coast, accompanied by four hundred cavalry, as the towns grew much less glamorous. In the fishing port of Marblehead, no fashionable women swooned over his presence. “The houses are old,” Washington wrote, “the streets dirty, and the common people not very clean.”22 Washington seemed to grow heartily tired of all the festive barges, honor guards, thirteen-gun salutes, and commemorative arches thrown in his path. In Salem one citizen saw how oppressed Washington was by all the pomp: “His appearance as he passed thro[ugh] Court Street in Salem was far from gay or making anyone else so. He looked oppressed by the attention that was paid him, and as he cast his eye around, I thought it seemed to sink at the notice he attracted. When he had got to the Court House and had patiently listened to the ditty they sung at him and heard the shouts of the multitudes, he bowed very low and, as if he could bear no more, turned hastily around and went into the house.”23

Desperate for some relief in Portsmouth, New Hampshire, Washington went deep-sea fishing with some local fishermen. The outing turned into a fiasco: he caught not a single fish, and when one local fisherman hooked a cod, he handed the rod to the disappointed president so he could reel it in. Doubtless feeling a little foolish, Washington gave the man a silver dollar. He was much happier attending a sumptuous dinner in Portsmouth, where he resumed his head count of the ladies and showed himself a connoisseur of female coiffure. At this assembly, he wrote, “there were about 75 well dressed and many of them very handsome ladies. Among whom (as was also the case at the Salem and Boston assemblies) were a greater proportion with much blacker hair than are usually seen in the southern states.”24

As he circled back to New York, Washington stopped at Lexington and “viewed the spot on which the first blood was spilt in the dispute with Great Britain on the 19th of April 1775.” 25 After treading this hallowed ground, Washington proceeded south along crooked back roads to Waltham. Incredible as it seems, the presidential party had to ask directions of bystanders, who often gave Washington misleading information to the point that he complained of “blind and ignorant” advice.26 In his diary, he sounded the universal lament of travelers, grousing about room reservations that suddenly vanished, forcing the party to move on to another town for the night, or the atrocious entertainment at many taverns. The trip had been a colossal undertaking for Washington, especially after his recent malady. In the space of a month, he had toured or passed through almost sixty cities and villages. The journey had been an undisputed triumph, however, consolidating Washington’s popularity and giving citizens a sense of belonging to a single nation. For all its rigors, the journey had also revived Washington’s health. John Trumbull said he returned to the capital “all fragrant with the odor of incense.”27 With what must have been indescribable relief, he arrived back at his Cherry Street mansion at three P.M. on November 13, 1789, “where I found Mrs. Washington and the rest of the family all well.”28 There would be no rest for the weary: having reappeared on a Friday, he had to mingle with visitors at Martha’s weekly reception that evening.

ANOTHER EFFECTIVE WAY that Washington transmitted his image to the country and sought national unity was by sitting for portrait artists, an activity for which he set aside a huge amount of time. In early October he devoted two hours to an Irish artist, John Ramage, who daubed a miniature on ivory of him at Martha’s behest. Ramage depicted a notably dour Washington dressed in a uniform adorned by the badge of the Society of the Cincinnati. In this unflattering portrait, Washington’s nose looks too long and too hooked, his chin too sharp, and his expression morose, perhaps reflecting his fatigue before the northern trip reinvigorated him.

Around the same time, Washington posed for the Marquise de Bréhan, who was variously described as either the sister or the sister-in-law of the Count de Moustier, the French minister, with whom she lived in a scandalous liaison. A friend of Jefferson, the marquise had imagined that she was coming to an American Arcadia and been sorely disappointed. The count, a bright but tactless eccentric, dressed in the red-heeled shoes of French nobility and wore earrings. Both the count and the marquise were frowned upon by most New Yorkers, who had small tolerance for European decadence. “Appearances . . . have created and diffused an opinion that an improper connection subsists between [Moustier] and the marchioness,” Jay informed Jefferson. “You can easily conceive the influence of such an opinion on the minds and feelings of such a people as ours.”29 One local resident ridiculed the pair thus: the count was “distant, haughty, penurious, and entirely governed by the caprices of a little singular, whimsical, hysterical old woman, whose delight is in playing with a negro child and caressing a monkey.”30 Perhaps reluctant to offend the French minister, Washington flouted convention and allowed himself to be painted by the marquise, who completed a cameo miniature of Washington in neoclassical style, his head bound by a laurel wreath. In this profile, Washington has the massive head and thick neck of a Roman emperor, a clear brow, a straight nose, and a steady, godlike gaze as he stares straight ahead.