Or we would go down to the hotel, where there was a high-dive tower, a good high one because the hotel was pretty swank and had exhibitions and races there now and then. Anne was crazy about diving that summer. She would go up high–she worked up higher and higher, day by day–and stand up there in the sunlight poised there at the very verge. Then when she lifted her arms, I would feel that something was about to snap in me. Then down she would fly, a beautiful swan dive, with her arms wide to emphasize her trim breasts, and her narrow back arched and her long legs close and sweet together. She would come flying down in the sunlight, and as I watched her it would be as though nobody else were there. I would hold my breath till whatever was going to snap inside me snapped. Then she would knife into the water, and he twin heels would draw through the wreath of ripple and the flicker of spray, and be gone. Adam sometimes got sore as hell at her for going up so high. "Oh, Adam," she'd say, "oh, Adam, it'll all right, and it's wonderful!" And up the ladder she'd go. Up and plunge. Up and plunge. Up and plunge. Over and over again. I used to wonder what her face was like just at the moment when she entered the water. What expression was on it.

But sometimes in the day we would be quite literally alone. Sometimes she and I would slip off and go to the pine woods and walk on the soundless matting of needles, holding hands. And then there was a little diving float, with just a single low board, anchored about a hundred yards off the beach, near Stanton slip. Sometimes we would swim out there when other people were pranking on the beach, or when nobody was there, and lie flat on our backs on the float, with our eyes closed, and just the fingertips touching and tingling as though they were peeled skinless with the nerves laid bare, so that every bit of my being was focused there.

At night we were alone pretty often. It had always been Adam and I, with Anne tagging along, and then, all at once, it was Anne and I, and Adam tagging along or, more likely, back up at his house reading Gibbon or Tacitus, for he was great on Rome back then. The change came more easily that I had expected. The day after that night in the roadster I played tennis with them in the morning as usual, and in the afternoon went swimming with them. I found myself watching Anne all the time, but that was the only difference. I couldn't see any change in her. I began to doubt that anything had happened, that I had even taken her to the movie the night before. But I had to see her that night.

I went up to their house just about dusk. She was on the gallery, in the swing. Adam, it turned out, was upstairs writing a letter he had to get off. He would be down in a few minutes, she said. It was something for their father. I didn't sit down, though she asked me. I stood at the top of the steps, very uneasy, just inside the screen door, trying to think up what I would say. Then I blurted out, "Let's go out on the slip, let's walk." And added lamely, "Till Adam comes down."

Without a word, she got up, came to me, gave me her hand–that was her own doing and the fact set blaring and bonging all the fire bells and calliopes and burglar alarms in my system–and walked down the steps with me, down the path, across the road, and toward the slip. We stayed out on the slip a long time. Adam could have written a dozen letters in that time. But nothing happened out on the lip, except that we sat on the end, our feet dangling over, and held hands, and looked over the bay.

On the side of the road toward the bay, just opposite the Stanton house, there was a big thicket of myrtle. When we got there, going hand in hand on our way back to the house, I stopped there in the protection of the shadow, drew her to me a little clumsily and abruptly, I guess, for I had had to key myself up to the act, plotting it all the way up the slip–and kissed her. She didn't put up any protest when I did it, just letting her arms hang limp, but she didn't return the kiss, just taking it submissively like a good little girl doing what she's told. I looked her in the face, after the kiss, and its smoothness was shaded by a reflective, inward expression, the kind of expression you see sometimes on a child's face when it is trying to decide whether or not it likes a new food it has just tasted. And I thought, my God, she probably hadn't been kissed before, even if she was seventeen, or almost, and I almost burst out laughing, the expression on her face was so funny and I was so happy. So I kissed her again. This time she returned the kiss, timidly and tentatively, but she returned it. "Anne," I said, with my heart bursting and my head reeling, "Anne, I love you, I'm crazy about you."

She was clutching my coat, a hand on each side of my chest, just under the shoulder, crumpling up the seersucker and hanging on, with her head, a little to one side and down, pressed weakly against me, as though she were asking pardon for a piece of misbehavior. She didn't answer what I said, and when I tried to lift her face up, she pressed it harder against me and clutched the seersucker tighter. So I stood there and ran my hand over her hair and breathed in the clean odor it had.

Then, after a while which may have been long or short, she disengaged herself from me, and stepped back. "Adam–" she said, "he's waiting–we've got to go."

I followed her across the road and into the gateway of the Stanton drive. A few paces up the drive she hesitated for me to come abreast of her. Then she took my hand, and that way, hand in hand, we proceeded toward the gallery where back in the shadow Adam would be sitting.

Yes, he was sitting there, for I caught the glow of a cigarette, the sudden intensification as the smoker took a deep pull, and then the fading.

Still holding my hand, tighter now as though executing a decision, she mounted the steps of the gallery, opened the screen with her free hand, and entered, drawing me behind her. We stood there for a moment, hand in hand. Then she said, "Hello, Adam," and I said, "Hello, Adam."

"Hello," he said.

We continued to stand there, as though waiting for something. Then she released my hand. "I'm going upstairs," se announced. "Good night, you all." And she was gone with the quick, muted patter of her rubber soles across the boards of the gallery floor and down the hall inside.

I still stood there.

Till Adam said, "Why the hell don't you sit down?"

So I sat down at the other end of the swing from Adam. He tossed a pack of cigarettes my way. I took one, and fumbled in my pockets for a match, but didn't find one. He leaned toward me, struck a match, and held it for my cigarette. As the flame flared there in front of my face while the cigarette caught, I had the feeling that he had put the light there for a purpose, to spy on my face while his own was back out of the direct rays. I had the crazy impulse to jerk back and wipe my hand across my mouth to see if there was any lipstick there.

But the cigarette caught, and I drew my head back from the light and said, "Thanks."

"You're welcome," he replied, and that about wound up the conversation for the evening. There was something for us to say. He could ask me the question which I knew was in his mind. Or I could answer it without his asking it. But neither of us said what was to say. I was afraid he would ask me, for with all my saying to myself that he could go to hell, that it wasn't his business, I had the feeling of guilt as though I had robbed him of something. But at the same time I sat there keyed up and wanting him to ask me, for I wanted to tell somebody that Anne Stanton was wonderful and that I was in love. It was as though the condition of being in love were not completed until I could say to somebody, "Look here,, I'm in love, be damned if I'm not." At the moment it seemed to require the telling for its fulfillment just as much as it would later require the hot, moist contact of bodies. So I sat there in the swing, in the dark, absorbed with the fact that I was in love, wanting to say it to complete it, and not, for the moment, missing Anne, the object of my love, who had gone upstairs to her room. I was so absorbed at the time with the fact of what had happened to me that I did not even wonder why she had gone upstairs. Later I decided that she had gone because, having serve notice to Adam by standing there before him holding my hand, she wanted to leave him alone with that fact, to let him accustom himself to the new structure of our little crystal, our little world.