In agitation, Oelita swept over to a table where a neat pile of silvergraphs had accumulated, each pinned to a tentative translation. Painfully she began to read a page, referring to the translation when it became incomprehensible. Once she had to ask one of the hovering linguists to help her guess at meanings and odd grammatical structures.

Thinking there was just one (killer clansman), he approached with the water. When he had penetrated the bushes, he saw there were about twenty men, and they were all in exactly the same (ghoulish) state: their faces were wholly burned, their eyesockets were hollow, the fluid from their melted eyes had run down their cheeks. They must have had their faces upturned when (the sunfire lit); perhaps they were (suppressor of engined-sailplane) personnel.*

* From Hiroshima by John Hersey.

She picked up another of the sheets.

They were ordered to lay down their (killing tools) and then were (butchered without intent to eat). Only the Caliph’s life was preserved as a gift for (killer priest) Hulagu who made his entrance to the city and palace on (fifteenth sleep cycle of second moon cycle of Riethe year). After the Caliph had revealed (by force of pain) to (the war game-winner) the hiding place of all his treasure, he too was put to death. Meanwhile (butchering without intent to eat) continued everywhere in the city. Those who surrendered quickly and those who fought on were alike (murdered). Women and children perished with their men. One Mongol found, in a side street, forty newborn babies whose mothers were dead. As an act of mercy he (killed) them, knowing that they would not survive without mothers to suckle them. In forty days some eighty thousand citizens of Baghdad were slain.

What was this? this geyser of paper from some demon world come to spray and scald them? Oelita didn’t believe a word of it — but when she did, for just a moment, she was horror-struck by such unimaginable immorality.

How could anyone eat eighty thousand people in forty days? The bodies would rot; the leather would go brittle in the sun, untanned. To murder a man was horrible enough, but to murder a man and his relatives, too, so that there could be no Funeral Feast, that was unthinkable!

Her heart was pounding as she watched ten Chanters file into the room in mudbrown cloaks wearing their voice amplifier masks in strange goggled shapes with gross noses.

“Chlorine masks from the Great War,” said the linguist who had been helping her.

The Chants began, telling in thunderous sinusoidal rhythm of the God of the Sky delivering His Getans from some mystery too frightening to look upon. The wooden instruments faded in; the strings began to tell of warrior and fire while Hitler and Stalin beat upon their organ drums and the horns wailed. The Chants muted to moaning, one voice alone holding a delicate melody. Then out of nowhere three naked Liethe sprang through, their child-smooth bodies boneless in their leaps.

They attacked each other, circling, lunging, stepping aside, flying over one another like bodies being juggled. Six daggers appeared magically in their hands while they stalked enemies, making alliance and betrayal in deft moves. The blows began to sound as screams. Each touch pulled forth a streamer of red silk like spurting blood that attached to wrist or shoulder or hip or ankle, proliferating. They fought among streamers, and now the streamers lurched and shuddered as the weaving motions boiled the blood that enveloped the dancing bodies.

The crimson silk lost strength, fluttering, swirling, diving, dividing into three stained bodies now topped by silver skull-masks. A jerk. A lurch. A stagger. A final battle to wound the already dying, to use one’s fading strength for destruction, then death throes among the mourning musicians. Only a glance of flesh did the audience get of Liethe slipping away, shucking their costumes in a convulsion that slowed and flowed down the steps into an empty red heap upon the floor.

Aesoe was stamping his feet. The Kaiel began to shake the building with their collective stamping until the naked girls, still in their skulls of silver metal, ran out from where they had disappeared, bowed, and ran away again.

Oelita turned from the spectacle. The pressure was building up within her to panic level. Her attempt to form an explanation for these impossible words was circling in failure. A hoax? Were the Kaiel building up a lie about Death to justify a coming bloody conquest of Geta?

But it was her crystal.

Who could write so small in visible-invisible ink? Who could conceive such stories where violence was the only means of transferring power? They could invent stories, but who could invent so many? Where was the Getan who would tell a story of mass murder without ending the story in a gluttonous Feast? Helplessly she moved through the crowd of feverish Kaiel, seeking Joesai. He was staring at silvergraph pictures.

He showed her one. A pair. To the right was a burning child running along a road beside a burning village with the title Vietnam. To the left was a burning child leaping off a road with a rocky mountain village in the background titled Afghanistan. The collective title was The Superpowers and The Third World. She remembered her twins roasting upon the spit.

“Have you found no love among all this?” she asked.

Silently he showed her another silvergraph. A woman was being stretched apart by a machine. The Dominicans Save the Soul of a Heretic. “Or would you prefer a tale of the Christian clan exterminating the clan of Albigensians in the name of love?” He laughed and handed her some dried bees to munch on. “While you are putting it all together think about why you can eat raw bees and why eating any other insect will sicken you unto death.”

“You think the only explanation for this is God, don’t you?”

“I’ll listen to a better one.”

She changed the subject. “What’s that?”

“The script underneath says it is a steel beetle big enough to carry five men in its belly across the desert. Its duty is to throw metal rocks at men.”

“How horrible!”

“I’m getting ideas.”

“Joesai!”

“This one I like especially. It is a giant intelligent candle that rides on the strength of its flame from one city to the other side of a world where it is cunning enough to find another city which it extinguishes in one blow by conjuring a bowl of sunfire.”

“Joesai!”

He smiled at her, glad to share his own horror with someone he knew could understand. “I don’t always think Death thoughts. Anything with jumping legs that strong could jump up to God and talk to Him. I have some questions to ask.”

“Would you ever descend upon a city and kill more people than you could eat?” she asked.

“What a stink that would make. Kalothi can be overwhelmed. What is the point?”

“I’m confused. I don’t know what anything means anymore.”

“It’s obvious what it means.”

“For a simpleton like you, everything is obvious. You invoke God. God can be used to explain everything!” She was livid.

“Can’t you tell what it means?” he asked gently. “This Riethe is the world from whence we came! Don’t the Chants say that God brought us across His Sky to save us? This is what He was saving us from.”

“You don’t even know your Chants.” She was scornful. “The Chants mention Riethe but they say we fell from the Star Yarieun.”

“There is no agreement on that. The same Chants vary from clan to clan and land to land. The Outpacing Chant that I am most familiar with mentions Yarieun, which we call Yarmieu, as the last resting place.”

“How can the Race be saved from itself by moving across a sky?” She was full of scorn. “If I am poisoned and live in Sorrow, will moving myself to Kaiel-hontokae leave my poison behind? If I am afraid of my navel, will changing houses change that? If I chew my nails, will moving to the dark side of Geta give me long nails? You can’t run from here because here is always where you are!”