"I live for the present," Lyn said. "Suppose we let later take care of itself later, okay?" She stretched to squint up at the sun, then looked at Sverenssen. "Right now all I’m going to be good for is a case of radiation sickness if I don’t cover up. I’m going to go inside in the shade and put on something else until it cools down a bit. I’ll see you later?"

"By all means, my dear," Sverenssen said. "The last thing we want is for you to end up on the casualty list." Lyn unfolded herself from the chaise and walked toward the house. "I think you may have a little game of playing hard to get to win before-" she heard Sverenssen murmur. The rest was drowned out by another burst of screaming from the pool.

Cheryl raised her head and watched as Lyn disappeared between the shrubs. "You’ve got nothing to offer, Larry," she said. "Now I could show her a good time that’s really different."

"So what’s wrong with both of us?" Larry asked.

Lyn’s room contained twin king-size beds and was as luxuriously furnished and fitted as every other part of the house. She was supposed to be sharing it with somebody called Donna, who hadn’t arrived yet. Inside, she took off her bikini and put on a shirt and shorts. Then she stood by the window thinking for a while.

There was a datagrid screen in the room, but she didn’t want to make any calls since there was a good chance it was bugged. Anyway she didn’t need to if she wanted to get out because Clifford Benson’s people had aheady anticipated that. Inside her shoulder bag in the closet was a microelectronic transmitter that looked like a powder compact but would send out a signal when she unlocked a safety catch and pressed a disguised button. If she pressed it once, a CIA agent would call the house within seconds, posing as a brother with news of a family emergency and stating that a cab was on its way to collect her. If she pressed it three times, the two agents in the airmobile parked a mile down the road from the front gate would arrive in under half a minute, but that option was for use only if she got into real trouble. But she didn’t want to get out just yet. The house was empty and quieter than it would be at any time for the rest of the weekend. There would never be another chance like this for a look around the place with little risk of being disturbed. She sure-as-hell wasn’t going to chicken out after a couple of hours with nothing to report, she told herself.

She took a deep breath, bit her lip nervously, walked over to the door, inched it open, and listened. Everything seemed still. As she let herself out into the passage a half-stifled giggle came from behind the door opposite. She stopped for a second; there was no other sound, and she moved quietly on toward the central part of the house.

The passage led through a small den into a large, central, open room that rose the full height of the building, one side a sloping wall of glass panels facing the rear of the house. The room was elbow-shaped, thickly carpeted, and had a sunken floor in front of a large fireplace of brickwork, with areas of raised floors around it angling away to openings and stairways which gave access to other parts of the house.

Muffled voices and kitchen noises were coming from one of the corridors, but she didn’t detect any sign of Sverenssen’s domestic staff in her immediate vicinity. She slowly examined the furnishings, ornaments, the pictures on the walls, and the fittings overhead, but found nothing that looked out of place. After pausing to replay her mental model of the layout, she picked out a narrow corridor that seemed to lead toward the office wing and followed it.

Eventually, after exploring the system of rooms that the corridor brought her to, most of which she had already seen in the course of the quick tour that Sverenssen had given her, she came back to what seemed to be the only door anywhere that opened through into the office wing. She tried the handle gently, but it was locked, as she had expected. When she tapped it with a knuckle, the sound it produced was flat and solid, even from the parts that looked like ordinary wood panels. They might have been wood on the surface, but there was a lot of something else underneath; that door had been put there to keep out a lot more than just drafts. Without a rock drill or an army demolition squad, she wasn’t going to get any farther in that direction, so she turned to go back to the center part of the house. As she began moving, she recalled one of the sculptures that she had seen in the central room. It hadn’t really struck her at the time, but now as she thought about it again, she realized that there had been something vaguely familiar about it. Surely not, she thought as she tried to visualize it again in her mind. There was no way it could be possible. She frowned, and her pace quickened a fraction.

The piece was standing in an illuminated recess on one side of the brick fireplace-an abstract form rendered in some kind of silver and gold translucent crystal, about eight inches high and mounted on a solid black base. At least, when she glanced over it casually a few minutes earlier she had thought it to be abstract. But now as she picked it up and turned it slowly over in her hands, she became more convinced than ever that its form couldn’t be simply a coincidence.

Its lowermost part was a composition of surfaces and shapes that could have meant anything, but projecting up from the center to form the main body of the design was a tapering column of finely carved terraces, levels, and intervening buttresses flowing upward in distinctive curves. Could it represent a tower? she wondered. A tower that she had seen not long ago. Three slim spires continued upward from the top of the main column-three spires supporting a circular disk just below their apexes. A platform? The disk had more finely cut details on its surface. She turned the sculpture over. . . . and gasped. There were more details, defining a readily discernible pattern of concentric rings-on the underside of the platform! She was looking at a representation of the central tower of the city of Vranix. It couldn’t possibly be. But it couldn’t be anything else.

Her hand was shaking as she carefully replaced the sculpture in its recess. What the hell had she gotten herself into? she asked herself. Her first urge was to go back to her room, collect her things, and get out fast; but as she forced herself to calm down and her mind to think more clearly, she fought back the feeling. The opportunity to learn more was unique, and it would never present itself again. If there were more, nobody might ever know unless she found it now. She closed her eyes for a second and took a deep breath to summon up her reserves of nervous energy to see it through.

She had to find out more about the office wing, but there seemed no way to get inside. Maybe she could get nearer in some other way. . . . under it, perhaps? A house like this would surely have cellars. There would probably be stairs somewhere in the direction of the kitchen. She moved across to the end of the corridor leading that way; voices were still audible, but they sounded closed off. Two doors proved to be closets. The third that she tried revealed a flight of wooden stairs going down. She entered, eased the door shut behind her, and descended.

The cellar that she found herself in looked ordinary, with a bench and some tool racks, a storage space, and lots of pipes and conduits. Machinery of some kind, probably a central air conditioner, was humming behind a louvered door to one side. Two other cellars opened off from this one, one in each direction of the two arms of the house; she moved on into the one leading toward the office wing. It was another storage area, full of boxes and leftover decorating materials. A partition wall with a gap in its center screened off the far end. Lyn crossed the area and peered through the gap. The cellar did not continue on beneath the office wing, but ended at a bare wall on the far side of the small space behind the partition. As Lyn looked around and studied the surroundings, she realized that the part of the cellars she had entered was strangely different from the rest structurally, particularly the blank wall facing her.