3 — Yeager

Anyone who travels very much on airlines in the United States soon gets to know the voice of the airline pilot… coming over the intercom… with a particular drawl, a particular folksiness, a particular down-home calmness that is so exaggerated it begins to parody itself (nevertheless!—it's reassuring)… the voice that tells you, as the airliner is caught in thunderheads and goes bolting up and down a thousand feet at a single gulp, to check your seat belts because "it might get a little choppy"… the voice that tells you (on a flight from Phoenix preparing for its final approach into Kennedy Airport, New York, just after dawn): "Now, folks, uh… this is the captain… ummmm… We've got a little ol' red light up here on the control panel that's tryin' to tell us that the landin' gears're not… uh… lockin' into position when we lower 'em… Now… I don't believe that little ol' red light knows what it's talkin' about—I believe it's that little ol' red light that iddn' workin' right"… faint chuckle, long pause, as if to say, I'm not even sure all this is really worth going into—still, it may amuse you… "But… I guess to play it by the rules, we oughta humor that little ol' light… so we're gonna take her down to about, oh, two or three hundred feet over the runway at Kennedy, and the folks down there on the ground are gonna see if they caint give us a visual inspection of those ol' landin' gears"—with which he is obviously on intimate ol'-buddy terms, as with every other working part of this mighty ship—"and if I'm right… they're gonna tell us everything is copacetic all the way aroun' an' we'll jes take her on in"… and, after a couple of low passes over the field, the voice returns: "Well, folks, those folks down there on the ground—it must be too early for 'em or somethin'—I 'spect they still got the sleepers in their eyes… 'cause they say they caint tell if those ol' landin' gears are all the way down or not… But, you know, up here in the cockpit we're convinced they're all the way down, so we're jes gonna take her on in… And oh"… (I almost forgot)… "while we take a little swing out over the ocean an' empty some of that surplus fuel we're not gonna be needin' anymore—that's what you might be seein' comin' out of the wings—our lovely little ladies… if they'll be so kind… they're gonna go up and down the aisles and show you how we do what we call 'assumin' the position'"… another faint chuckle (We do this so often, and it's so much fun, we even have a funny little name for it)… and the stewardesses, a bit grimmer, by the looks of them, than that voice, start telling the passengers to take their glasses off and take the ballpoint pens and other sharp objects out of their pockets, and they show them the position, with the head lowered… while down on the field at Kennedy the little yellow emergency trucks start roaring across the field—and even though in your pounding heart and your sweating palms and your broiling brainpan you know this is a critical moment in your life, you still can't quite bring yourself to believe it, because if it were… how could the captain, the man who knows the actual situation most intimately… how could he keep on drawlin' and chucklin' and driftin' and lollygaggin' in that particular voice of his—

Well!—who doesn't know that voice! And who can forget it!—even after he is proved right and the emergency is over.

That particular voice may sound vaguely Southern or Southwestern, but it is specifically Appalachian in origin. It originated in the mountains of West Virginia, in the coal country, in Lincoln County, so far up in the hollows that, as the saying went, "they had to pipe in daylight." In the late 1940's and early 1950's this up-hollow voice drifted down from on high, from over the high desert of California, down, down, down, from the upper reaches of the Brotherhood into all phases of American aviation. It was amazing. It was Pygmalion in reverse. Military pilots and then, soon, airline pilots, pilots from Maine and Massachusetts and the Dakotas and Oregon and everywhere else, began to talk in that poker-hollow West Virginia drawl, or as close to it as they could bend their native accents. It was the drawl of the most righteous of all the possessors of the right stuff: Chuck Yeager.

Yeager had started out as the equivalent, in the Second World War, of the legendary Frank Luke of the 27th Aero Squadron in the First. Which is to say, he was the boon-docker, the boy from the back country, with only a high-school education, no credentials, no cachet or polish of any sort, who took off the feed-store overalls and put on a uniform and climbed into an airplane and lit up the skies over Europe.

Yeager grew up in Hamlin, West Virginia, a town on the Mud River not far from Nitro, Hurricane Whirlwind, Salt Rock, Mud, Sod, Cram, Leet, Dollie, Ruth, and Alum Creek. His father was a gas driller (drilling for natural gas in the coalfields), his older brother was a gas driller, and he would have been a gas driller had he not enlisted in the Army Air Force in 1941 at the age of eighteen. In 1943, at twenty, he became a flight officer, i.e., a non-com who was allowed to fly, and went to England to fly fighter planes over France and Germany. Even in the tumult of the war Yeager was somewhat puzzling to a lot of other pilots. He was a short, wiry, but muscular little guy with dark curly hair and a tough-looking face that seemed (to strangers) to be saying: "You best not be lookin' me in the eye, you peckerwood, or I'll put four more holes in your nose." But that wasn't what was puzzling. What was puzzling was the way Yeager talked. He seemed to talk with some older forms of English elocution, syntax, and conjugation that had been preserved uphollow in the Appalachians. There were people up there who never said they disapproved of anything, they said: "I don't hold with it." In the present tense they were willing to help out, like anyone else; but in the past tense they only holped. "H'it weren't nothin' I hold with, but I holped him out with it, anyways."

In his first eight missions, at the age of twenty, Yeager shot down two German fighters. On his ninth he was shot down over German-occupied French territory, suffering flak wounds; he bailed out, was picked up by the French underground, which smuggled him across the Pyrenees into Spain disguised as a peasant. In Spain he was jailed briefly, then released, whereupon he made it back to England and returned to combat during the Allied invasion of France. On October 12, 1944, Yeager took on and shot down five German fighter planes in succession. On November 6, flying a propeller-driven P-51 Mustang, he shot down one of the new jet fighters the Germans had developed, the Messerschmitt-262, and damaged two more, and on November 20 he shot down four FW-190s. It was a true Frank Luke-style display of warrior fury and personal prowess. By the end of the war he had thirteen and a half kills. He was twenty-two years old.

In 1946 and 1947 Yeager was trained as a test pilot at Wright Field in Dayton. He amazed his instructors with his ability at stunt-team flying, not to mention the unofficial business of hassling. That plus his up-hollow drawl had everybody saying, "He's a natural-born stick 'n' rudder man." Nevertheless, there was something extraordinary about it when a man so young, with so little experience in flight test, was selected to go to Muroc Field in California for the XS-1 project.

Muroc was up in the high elevations of the Mojave Desert. It looked like some fossil landscape that had long since been left behind by the rest of terrestrial evolution. It was full of huge dry lake beds, the biggest being Rogers Lake. Other than sagebrush the only vegetation was Joshua trees, twisted freaks of the plant world that looked like a cross between cactus and Japanese bonsai. They had a dark petrified green color and horribly crippled branches. At dusk the Joshua trees stood out in silhouette on the fossil wasteland like some arthritic nightmare. In the summer the temperature went up to 110 degrees as a matter of course, and the dry lake beds were covered in sand, and there would be windstorms and sandstorms right out of a Foreign Legion movie. At night it would drop to near freezing, and in December it would start raining, and the dry lakes would fill up with a few inches of water, and some sort of putrid prehistoric shrimps would work their way up from out of the ooze, and sea gulls would come flying in a hundred miles or more from the ocean, over the mountains, to gobble up these squirming little throwbacks. A person had to see it to believe it: flocks of sea gulls wheeling around in the air out in the middle of the high desert in the dead of winter and grazing on antediluvian crustaceans in the primordial ooze.